![]() This program is recreated in 2013 at the the Noirlac abbey with guitarist Pierre Durand and ney player Bilgin Canaz replacing Derya Türkan and Judsi Ergüner. In 2009, he writes Yarin for the inauguration of the year of Turkey in Enghien-les-Bains, interpreted by Régis Huby (violin), Cyril Hernandez (percussions), Derya Türkan (kementché) and Kudsi Ergüner (ney) and himself on the double bass. ![]() In 2010, a second the second part of Poète… Vos Papiers ! is released, hosting Maria Laura Baccarini instead of Jeanne Added. This time, the voices of Jeanne Added and Claudia Solal come to join Rousseau’s quartet. In 2007, Poète, vos Papiers ! is released at Le Chant du Monde / Harmonia Mundi and is, once again, a Choc Jazzman album. Here, both Rousseau’s and Ferré’s works meet each other. His passion for literature and poetry and his admiration for Léo Ferré lead him to a new project built around the poet’s world. Yves Rousseau takes the listener to a world made of jazz, sophisticated music and including accents from worldwide. In 2005, Sarsara, released at Le Chant de monde / Harmonia Mundi, is a Choc Le Monde de la Musique album and receives an even warmer welcome. In 2000, he writes Fées et Gestes for his quartet, an album certified by Choc Jazzman and critically acclaimed, recorded at Hopi and rereleased at CC Productions / Harmonia Mundi in 2004. This is the opportunity for Yves Rousseau to express his composer streak and to blend his musical influences with his wealth of experience as a player. His writing combines many genres as, jazz for instance, but also Jacques Tati’s universe, young public, Eastern Europe, North Africa…Ĭomposition getting an important place, his career as a musician initiates a new period in 2000 when he founds his first band with Christophe Marguet (drums), Jean-Marc Marché (saxophone) and Régis Ruby (violin). He writes his first notes in 1988 and more and more regularly for groups he plays with, often on the edge of Jazz and improvised music. In the meantime, he leads many experiences in orchestres de chambre and symphonique and makes some incursions in baroque music, contemporary and electro-acoustic.His experience as a composer is firstly connected to his player career. He discovers the double bass listening to Pierre Michelot and Patrice Caratini and will study the instrument with Jacques Cazauran at the CNR of Versailles between 19. Include any revivals but will be largely inspired by those times.Ĭomposer and bass player, Yves Rousseau has forged himself a musical identity finding his inspiration from Johann Sebastian Bach’s architecture to Louis Armstrong’s swing, Léo Ferré’s voice, or even Django Reinhardt, Franz Schubert or Pink Floyd. In the seventies by great pop/rock groups. This programme will not New repertory based on memories of the so prolific period made alive With this duo, they give life to a real artistic convergency.Ģ019 will see the creation of a new ensemble called « Fragments » for a the two musicians know each other very well and, The « Continuum » duo was born in 2017 with Jean-Marc Larché’s alto and
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